Friday, June 1, 2018

Discover fascinating vintage maps from National Geographic's archives

This 1922 map of the world was the first general reference map created by National Geographic magazine’s in-house cartography shop, which was founded in 1915.

From National Geographic by Betsy Mason

More than 6,000 maps from the magazine's 130-year-long history have been digitally compiled for the first time.

Cartography has been close to National Geographic’s heart from the beginning.
And over the magazine’s 130-year history, maps have been an integral part of its mission.
Now, for the first time, National Geographic has compiled a digital archive of its entire editorial cartography collection — every map ever published in the magazine since the first issue in October 1888.


1928 map of discovery
This 1928 map depicted the current political boundaries of the time, but was created in the style of sixteenth-century mariner’s charts, with pictorial depictions of feats of exploration decorating the corners.
The map is one of a series of five original murals by renowned illustrator N.C.
Wyeth that still hang in the National Geographic Society’s Washington D.C. headquarters.

The collection is brimming with more than 6,000 maps (and counting), and you’ll have a chance to see some of the highlights as the magazine’s cartographers explore the trove and share one of their favorite maps each day.
Follow @NatGeoMaps on Twitter, Instagram, and Facebook to see what they discover.
(The separate map archive is not available to the public, but subscribers can see them in their respective issues in the digital magazine archive.
“It’s inspiring,” says Martin Gamache, National Geographic’s director of cartography.
“There's tons of stuff in there that struck me as being innovative and interesting.”

1963 Antarctica
This revealing depiction of Antarctica from the February 1963 issue was based on more than 5,000 depth measurements that scientists took by exploding charges and recording how long it took for the sound to travel through the ice, bounce off the bedrock below, and return to the surface.

We’ll be digging through the collection as well to bring you stories about some of the most intriguing maps we find.
The gallery above includes some tantalizing examples, such as the first composite map of the United States created out of color satellite photographs, and a clever way to get around Moscow’s ban on aerial photography in order to create a birds-eye view of the Kremlin.


1888 first map
This map from National Geographic magazine’s inaugural October 1888 issue depicts the violent meteorological conditions of the “Great White Hurricane,” one of the worst blizzards to ever hit the United States.

The very first maps published by National Geographic in 1888 depict one of the most severe blizzards to ever hit the United States (below).
Nicknamed the Great White Hurricane, the three-day storm crippled the Atlantic coast from the Chesapeake Bay all the way into Canada, dumping almost 5 feet of snow in some places and creating 50-foot snowdrifts.
National Geographic used a set of four maps to document temperature, pressure, and wind patterns on successive days as the storm lashed the coast.

The maps accompany a blow-by-blow description of the conditions that fed the storm, written by Edward Everett Hayden, a meteorologist and one of the 33 founders of the National Geographic Society.
Hayden’s article also included a gripping account of the travails of one ship as it struggled to survive the violent blizzard.
“Just before midnight a heavy sea struck the boat and sent her over on her side,” he wrote.
“Everything moveable was thrown to leeward, and the water rushed down the forward hatch. But again she righted, and the fight went on.”


1967 Indian Ocean floor
Based on the work of geologists Marie Tharp and Bruce Heezen, this gorgeous map of the Indian Ocean floor was painted for a supplement to the October 1967 issue by Austrian artist Heinrich Berann, who also painted many mountainscapes for National Geographic.
Berann worked with Tharp and Heezen to create three more ocean floor map supplements in the 60s and 70s.

It was the start of a long tradition in National Geographic magazine of enhancing storytelling with maps.
The maps of the storm were likely made by the U.S. Navy Hydrographic Office, and the magazine continued to work with various outside mapmakers like the U.S. Geological Survey until it established its own cartography shop In 1915.
Over the next century, the National Geographic cartography department made thousands of maps for the pages of the magazine and hundreds of poster supplement maps.

The goal of the cartography team, Gamache says, is to capture readers’ imagination by conveying a sense of place, to give the viewer an idea of how a place might look and feel.
“I think when we're successful, it resonates with people," he says.


1961 London panorama
It took seven National Geographic artists to hand paint the individual buildings for this six-page fold-out panorama of London, published in 1961.
It shows the view that would be seen from a plane flying south of the Thames.

It took months to extract all the maps from the magazine’s digitized back catalog and compile them into a separate collection.
Gamache says the resulting trove will help the current staff cartographers connect to the magazine’s legacy as they continue to try new things.
“It's always good to look at what we've done in the past on any subject,” he says.
“It gives us ideas.”

As they share a curated selection of maps from the archive, the cartography team will be highlighting some of the maps that have served as inspiration for new maps, says research editor Irene Berman-Vaporis.


1957 map of the Heavens
The December 1957 issue of National Geographic came with a pull-out poster-size map of the night sky.
The map shows the stars and constellations as they would appear to someone standing at Earth’s north and south poles.

One of the things that defines National Geographic magazine’s cartography is the way it is integrated into the rest of the magazine’s editorial process.
Each map tells its own story, but also works alongside text and photography to bring another dimension to the article, Gamache says.
“A map is able to connect with somebody in a different way than a text will or a photo will,” he says. “They engage with a different part of our psyche or our brain."

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