Mauro Morandi has lived alone on Budelli Island for 28 years.
“What I love the most is the silence,” he says.
“The silence in winter when there isn’t a storm and no one is around, but also the summer silence of sunset.”
From National Geographic by Gulnaz Khan (Photographs by Michele Ardu)
Mauro Morandi's failing catamaran was carried to Budelli Island nearly three decades ago by chance.
He never left.
Budelli island in the North of Sardegna
with the GeoGarage platform (Navimap/IIM)
Seventy-eight-year-old Mauro Morandi often walks along the rocky shores of Budelli Island and looks out over the disconsolate sea, feeling dwarfed by the phantom forces that tug and twist the tides.
“We think we are giants that can dominate the Earth, but we’re just mosquitos,” Morandi says.
The Spiaggia Rosa, or Pink Beach, derives its rosy color from microscopic fragments of corals and shells like Miriapora truncata and Miniacina miniace.
In 1989 on a stretch of water between Sardinia and Corsica, with a crippled engine and anchor adrift, Morandi’s catamaran was gripped by these same inexorable forces and carried to the shores of Budelli Island.
When he learned that its caretaker was retiring from his post in two days, Morandi—long disenchanted with society—sold the catamaran and took his place.
Sunlight drenches Morandi's porch, where he likes to dine and read during the summer.
He has lived alone on the island for the past 28 years.
Maddalena Archipelago National Park is comprised of seven islands, and Budelli is considered the most beautiful among them for its Spiaggia Rosa, or Pink Beach.
The rose-colored sand derives its unusual hue from microscopic fragments of corals and shells, which have been slowly reduced to powder by the relentless shifting of the waves.
Morandi waves to a passing boat from his porch.
Although the beach was closed to tourists in the nineties, visitors can access limited parts of the island.
In the early nineties, Spiaggia Rosa was dubbed a place of “high natural value” by the Italian government.
The beach was closed off to protect its fragile ecosystem, and only certain areas remain accesible to visitors.
The island rapidly went from hosting thousands of tourists per day to a single heartbeat.
In 2016, after a three-year legal battle between a New Zealand businessman and the Italian government for ownership of the land, a court ruled that Budelli belonged to Maddalena National Park.
The same year, the park challenged Morandi’s right to live on the island—and the public responded.
A petition protesting his eviction garnered more than 18,000 signatures, effectively pressuring local politicians to delay his expulsion indefinitely.
Morandi practices tai chi on the beach in the morning, absorbing the sun's rays and inhaling in the salty air.
“I will never leave," Morandi says.
"I hope to die here and be cremated and have my ashes scattered in the wind.”
He believes all life is eventually reunited with the Earth—that we are all part of the same energy.
The Stoics of ancient Greece called this sympatheia, the feeling that the universe is an indivisible, unified living organism endlessly in flux.
Morandi is an avid reader, especially during the winter months.
This conviction in our interconnectedness propels Morandi to remain on the island without compensation.
Every day he collects wayward plastic that washes up on the beach and tangles with the delicate flora and fauna.
Despite his aversion to people, he guards Budelli’s shores with fervor and educates summertime visitors about the ecosystem and how to protect it.
Morandi gathers herbs behind his home.
He has a companion who delivers groceries to the island every two weeks.
“I’m not a botanist or a biologist,” Morandi says.
“Yes, I know names of plants and animals, but my work is much different than this. To be able to care for a plant is a technical task—I try to make people understand [why] the plant needs to live.”
Morandi spends many hours looking at the sea.
He believes Budelli Island is the quintessence of beauty.
Morandi believes that teaching people how to see beauty will save the world from exploitation more effectively than scientific minutiae.
“I would like people to understand that we must try not to look at beauty, but feelbeauty with our eyes closed,” he says.
During the winter, Morandi likes to watch the monstrous sea swells that are created by strong winds.
Winters on Budelli are particularly beautiful.
Morandi endures long stretches of time—upwards of 20 days—without any human contact.
He finds solace in the quiet introspection it affords him, and often sits on the beach with nothing but the operatic sounds of the wind and waves to punctuate the silence.
“I’m sort of in prison here," Morandi says of his seclusion,
"but it’s a prison that I chose for myself.”
Morandi collects juniper logs and shapes them into sculptures.
He sells them to tourists and donates the money to NGOs in countries from Africa to Tibet.
Though he inhabits a small piece of land, he is acutely aware of the world at large
He fashions juniper wood into sculptures, finding faces hidden in their nebulous forms.
He reads zealously and meditates on the wisdom of Greek philosophers and literary prodigies.
He takes pictures of the island, marveling at how it changes from hour to hour, season to season.
During all his years on the island, Morandi says he has never gotten sick, a quality he attributes to "good genes."
This is not unusual for people who spend extensive periods of time alone.
Scientists have long posited that solitude generates creativity, as evidenced by scores of artists, poets, and philosophers throughout the ages who produced their greatest works in seclusion from society.
Morandi is silhoutted against the light of the dying sun—his favorite time of day when the world seems to grow quiet.
"We think we’re super-humans and divine creatures, but we’re really nothing in my opinion," he says.
"We must adapt to nature.”
The benefits of solitude may not be universal. “Solitude can be stressful for members of technologically advanced societies who have been trained to believe that aloneness is to be avoided,” explains Pete Suedfeld in Loneliness: A Sourcebook of Current Theory, Research and Therapy. However, there are still cultures around the world in which solitary life remains a venerated tradition.
Buddhist monasticism, for example, encourages spiritual devotion and scholarly pursuit above seeking bodily pleasures.
Morandi says he never feels lonely because he is constantly surrounded by life.
But amidst rapid globalization, humans' ability to experience true solitude is perhaps a thing of the past.
In response to increasing development of the region, an internet company established a Wi-Fi connection on Budelli, connecting Morandi and his beloved piece of paradise to the world through social media.
Embracing this new form of communication is his concession on behalf of a larger purpose—to facilitate a bond between people and nature by exposing them to its beauty.
A bond Morandi hopes will motivate people to care for the withering planet.
Red Desert ( Il deserto rosso) is a 1964 Italian film directed by Michelangelo Antonioni and starring Monica Vitti with Richard Harris.
The film is about a woman struggling to hide her mental illness from her husband while trying to survive in the modern world of cultural neurosis and existential doubt.
Her relationship with her husband's business associate helps her confront her isolation.
Red desert was Antonioni's first color film, one of the filming location was the little island of Budelli in Sardinia.
“Love is an absolute consequence of beauty and vice versa,” Morandi says.
“When you love a person deeply you see him or her as beautiful, but not because you see them as physically beautiful … you empathize with them, you’ve become a part of her and she’s become a part of you. It’s the same thing with nature.”