This map of the world drawn by Henricus Martellus in about 1491 was
donated to Yale in 1962.
Its faded condition (shown above) has stymied researchers for decades.
The multispectral image of the map (below) reveals text and details invisible to the naked eye.
Its faded condition (shown above) has stymied researchers for decades.
The multispectral image of the map (below) reveals text and details invisible to the naked eye.
From Gizmodo by
Another warns of “large wildernesses in which there are lions, large leopards, and many other animals different from ours:”
The multispectral images show previously lost details in Martellus'
depiction Africa that suggest the German cartographer used data from
African sources, not European explorations.
The primary way we share ideas today is the internet.
In the 15th century, it was cartography.
And now, researchers at Yale are giving us a glimpse of one of the most influential maps in history—parts of which, up until now, had been too faded and aged to read.
Henricus
Martellus isn’t a name you’d recognize unless you’re interested in map
history, but he played a role in some of the most important events of
the early modern world, thanks to a map he drew in 1491.
It showed the
world as Europe understood it, and scholars have long theorized that it
gave Columbus the information he needed to find the New World (it also
may have famously misinformed him about the location of Japan, today
known as the Bahamas).
That a map
could survive 500 years—524 years, to be exact—is pretty amazing.
But
much of the text on the 6-foot-wide map has been lost to history thanks
to wear and tear.
Since the map came to Yale in the 1960s, researchers
have tried to decipher hundreds of words and shapes that were too faded
to read.
Text in the southern Asia portion of the map describes the "Panotii"
people, who purportedly had ears that were so large they could use them
as sleeping bags.
It’s only within the past year that they’ve succeeded—thanks to improvements in multispectral imaging.
In Yale News,
Michael Cummings explains how the technology has revealed hundreds of
new words that seemed lost forever.
In his story, he explains how a team
at Yale is using multispectral imaging to see through the ancient haze:
The process captures images of the map at 12 different light
frequencies which, when processed using imaging algorithms, reveal words
and figures where our eyes see nothing.
Cummings
was kind enough to send along higher-res versions of the maps’ new
details, a few of which you’ll find below.
Read the full story here.
“Animals Different From Ours”
As Cummings
explains, a lot of the text passages on the map describe not only local
populations, but also the local wildlife of regions throughout the
world—sometimes lifted from The Travels of Marco Polo.
For
example, the passage below is warning of a monstrous creature today
known as an Orca, which Yale says Martellus described as “a sea monster
that is like the sun when it shines, whose form can hardly be described,
except that its skin is soft and its body huge.”
A text box in the Indian Ocean warns of the orca
Text found in northern Africa
Ethiopian Sources
Another
cool detail revealed by the multispectral analysis?
That the way
Martellus depicted Africa was actually based on African sources. According to Cummings,
the way Africa is drawn on the map actually came from Ethiopian
input—specifically, “three Ethiopian delegates to the Council of
Florence in 1441.”
The council was called by the Pope—who invited the
Ethiopian delegates, providing insight into how the African continent
was shaped.
A Map’s Lineage
Again,
cartography was a hugely important tool during the Age of Discovery.
Martellus’s map was based on others before it, and his map went on to
influence how several other cartographers depicted the new world.
The
multispectral images created by Yale give us a look at that heritage—the
newly-uncovered words include some shared with a later map, by Martin
Waldseemüller in 1507, suggesting Waldseemüller may have used this map
to draw his own.
We’ve written about Waldseemüller’s map
before, actually: It was the first known cartographic rendering of
America as a continent.
Of course, his 16th century America looks very
different from our own. “America” is a long, thin peninsula that seems
to stretch from Nova Scotia down to Florida.
Beyond that, neither
Waldseemüller or Martellus could know.
It would
take far longer to find out what existed in the blank patch of map—and
even longer for us to figure out what they thought might exist there.
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