Tuesday, May 26, 2020

Climate change in deep oceans could be seven times faster by middle of century, report says

‘Marine life in the deep ocean will face escalating threats from ocean warming until the end of the century, no matter what we do now,’ report author says.
Photograph: BBC/Jo Ruxton

From The Guardian by Graham Readfearn

Rates of climate change in the world’s ocean depths could be seven times higher than current levels by the second half of this century even if emissions of greenhouse gases were cut dramatically, according to new research.

Different global heating at different depths could have major impacts on ocean wildlife, causing disconnects as species that rely on each other for survival are forced to move.

In the new research, scientists looked at a measure called climate velocity – the speed at which species would need to move to stay within their preferred temperature range as different ocean layers warm.

The study, published in the journal Nature Climate Change, found different parts of the ocean would change at different rates as the extra heat from increasing levels of greenhouse gases moved through the vast ocean depths.

January to April 2020 temperature anomalies

By the second half of the century, the study found “a rapid acceleration of climate change exposure throughout the water column”.

Oceans can be restored to former glory within 30 years, say scientists

The study used climate models to first estimate the current rates of climate velocity at different ocean depths, and then future rates under three scenarios – one where emissions started to fall from now; another where they began to fall by the middle of this century; and a third where emissions continued to rise up to 2100.

Prof Jorge GarcĂ­a Molinos, a climate ecologist at Hokkaido University and a co-author of the study, said: “Our results suggest that deep sea biodiversity is likely to be at greater risk because they are adapted to much more stable thermal environments.”

At present, the world’s heating was already causing species to shift in all layers of the ocean from the surface to more than 4km down, but at different speeds.

But even under a highly optimistic scenario, where emissions fell sharply from now, the ocean’s mesopelagic layer – from 200m to 1km down – climate velocity would change from about 6km per decade to 50km by the second half of the century.
But over the same period, climate velocity would halve at the surface.

Even at depths of between 1,000 and 4,000 metres, climate velocity would triple current rates, even if emissions dropped sharply.

Prof Anthony Richardson, of the University of Queensland and the CSIRO and one of the study’s 10 authors, told Guardian Australia: “What really concerns us is that as you move down through the ocean, climate velocity moves at different speeds.”

This could create a disconnect for species that rely on organisms in different layers.

For example, Richardson said tuna lived in the mesopelagic layer between 200 and 1,000 metres deep, but they relied on plankton species near the surface.

He said because the planet’s oceans were so large and stored so much heat, “warming already absorbed at the ocean surface will mix into deeper waters.”

“This means that marine life in the deep ocean will face escalating threats from ocean warming until the end of the century, no matter what we do now.”

Isaac Brito-Morales, the study’s lead author and a researcher at the University of Queensland, said: “Because the deep ocean has a more stable temperature, any small increase will have an impact on species – they’re more at risk than those at the surface.”

Richardson added it was “concerning” their results showed, as well as different rates of climate velocity at different depths, the direction that species would need to move wasn’t uniform either.

This could mean that marine park areas designed to protect different species or habitats could become compromised as species moved out of the protected areas into unprotected areas.

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Monday, May 25, 2020

That fresh sea breeze you breathe may be laced with microplastic

The study casts doubt on the assumption that once in the ocean, plastic stays put, as well as on the restorative powers of a fresh sea breeze.
Photograph: Ben Birchall/PA

From Wired by Matt Simon

Researchers have discovered that the ocean is burping tiny plastic particles, which then blow onto land—and potentially into your lungs.

When you stand on a beach and take in a great big gulp of fresh air, you’re actually breathing bacteria, viruses, and aerosolized salts.
Those are all punted into the air when whales breach or waves crash or even when bubbles rise to the surface of the sea, ejecting material that gets caught up in sea breezes and fog banks.
And as much as I hate to rain on your beach day, you can now add an omnipresent pollutant to that list of debris: microplastics.

Microplastics are the ground-up remnants of plastic bottles and bags, or the synthetic fibers shed from your polyester clothing—technically anything smaller than 5 millimeters long—and of late scientists have been finding them everywhere, from the deep sea to the tallest mountains.
And now, writing today in the journal PLOS ONE, researchers from Europe and South Africa demonstrate in the lab how popping bubbles can fling microplastics into the air; the same team also gathered microplastics from the air flowing over a French beach.
The picture ain’t pretty: They found that up to 19 microplastic fragments float in a cubic meter of air.
Even worse, they were measuring at the edge of relatively clean Atlantic waters—highly polluted seas like the Mediterranean are probably flinging far more particles onshore.
Globally, the researchers calculate that 136,000 tons of microplastic could be blowing onshore each year.

Up until now, scientists had considered the ocean to be a kind of microplastic sink.
When you wash your clothes, for instance, synthetic fibers flow in wastewater to a treatment plant, which only removes some of the microplastic before pumping the water out to sea.
Plastic trash also flows into rivers and eventually out to sea, where it breaks into ever-smaller pieces over time.
Ocean currents then transport the microplastic particles far and wide: Just last month, another group of researchers showed how microplastics flow into the deep sea, eventually settling in sediment and corrupting seafloor ecosystems.

And in the ocean the plastic bits stayed, researchers once thought.
But this new work shows how something as minuscule as a bubble can burp microplastics into the atmosphere.
Oceanic bubbles are quite complex; when one comes to the water’s surface, it brings both air and hitchhikers.
“That bubble actually acts as like a sponge for tiny particles like sea salt, viruses, bacteria, and—potentially—plastics, as it comes up through the water column,” says University of Strathclyde microplastic researcher Deonie Allen, co-lead on the new research.
“So the outside of that bubble is now sort of coated in particles.”

 credit PlosONE

When the bubble surfaces, half of it protrudes above the water line, with the other half hidden beneath it.
“On the top side out of the water, you've got a very thin layer of water, which when it bursts actually fragments, and that releases nano-sized materials,” says University of Strathclyde microplastic researcher Steve Allen, co-lead on the work.
(The Allens are spouses.) “But when the ocean tries to fill the void left by the bottom half of the bubble, it comes in from all sides and produces the ejection, or the jet,” he continues.

In the lab, the Allens and their colleagues used a black light, or long-wave ultraviolet light, to watch this phenomenon in action, as their bubbles spewed fluorescent materials into the air.
Scientists were already well aware that oceanic bubbles fling viruses, bacteria, and salts into the atmosphere, but in this experiment they’ve shown that microplastics come along for the ride as well.

And that’s not even the most violent transport method in the sea: All sorts of gunk is flung into the air when waves crash against the shore.
It’s this particulate matter that makes its way into the atmosphere, attracting moisture to form fog.

Out in the field, the researchers chose a particularly rough and stormy section of French coastline along the Bay of Biscay to search the air for microplastics.
They set up two kinds of collectors: one that could pull particles out of the water droplets that make up sea spray, and another that filtered just the dry air of onshore winds.
And sure enough, there they found microplastic particles, as many as 19 per cubic meter on a misty autumn day.

The ocean, then, isn’t sequestering microplastics, as scientists previously believed—it seems to be actively ejecting them into the atmosphere, spreading them around the planet.
The Allens’ previous research has shown that winds can carry microplastics far and wide, transporting them from European cities onto the supposedly pristine mountaintops of the French Pyrenees.
This new research makes that bad news all the worse.
“There's an awful lot of water in the world,” says Deonie Allen.
“So if you can see water surfaces as not just a sink, but also a source, then that's a really large surface area that could then be influencing the amount of microplastics that are not just in the atmosphere.”

 The beach of Mimizan in France where researchers measured microplastics on the sea breeze.
Photo : Nicolas Tucat / AFP

This work goes a long way towards illuminating a microplastic pollution cycle that’s far more complex than previously believed.
“Previous studies have shown that plastics and microplastics can be washed onshore from the oceans, and that larger plastics can be blown onshore.
But this is the first study to show that sea spray can release microplastics from the ocean,” says University of Manchester earth scientist Ian Kane, who researches how deep-sea currents transport microplastics, but who wasn’t involved in this new work.
“Even if blown onshore, it is likely that much will make its way, eventually, into watercourses and the sea. Some may be sequestered into soil or vegetation and be ‘locked up’ indefinitely.”

So when you eat vegetables, you may also be eating microplastics that once flowed to the sea, then were ejected from the water and blown back onto land.
The air you breathe may likewise be contaminated both with microplastics shed from objects around your home, as well as from microplastics that once floated in the ocean.

The Allens’ work brings with it another troubling implication that demands more research.
If microplastics can “seed” clouds, like other particulate matter from the sea does—acting as the foundation on which moisture accumulates to build a nice big fluffy cloud—what does that mean for the transportation of water on Earth?

“If there's enough of it, it can change the size of the cloud, and also the albedo of the cloud,” says Steve Allen.
That is, the whiter a cloud is—thanks to those microplastics attracting more moisture—the more of the sun’s energy it can bounce back into space.
And that might actually help cool the planet.
“So that'll have a positive effect for us for climate change,” he says.

On the other hand, he points out, this extra sequestering of water into clouds might also change rainfall patterns.
“It'll gather the moisture that's in the air,and not produce rain,” Allen continues.
“That rain can move somewhere else.
So we would get rain somewhere it doesn't belong, and we don't get rain where we need it.”

Plus, think about what the scientists couldn’t see.
Plastic doesn’t just disappear entirely—as it degrades in the environment, it breaks into ever smaller pieces, meaning there could be even tinier particles that are slipping through researchers’ filters.
“The smaller it gets, the easier it will be to get into the atmosphere, which is troubling,” says Scripps Institution of Oceanography microplastic researcher Jennifer Brandon, who wasn’t involved in this work.
“Especially because in the atmosphere, it can travel really far.” For example, sand from the Sahara readily travels across the Atlantic and lands in South America.
If microplastic is moving just as freely around the globe, it’s hard to imagine an ecosystem that’d be safe from contamination—no matter how remote it may be.
And that could have untold implications for the organisms that live there.

Super tiny, lightweight particles could also more easily penetrate through tissues of humans and other creatures, for instance passing through the gut lining if swallowed.
Scientists are only in the very early stages of studying how ingested or inhaled microplastics affect our bodies, but we can already assume it isn’t great for us.
They’re worried that the chemicals from the microplastics themselves might leach into our tissues, and also about the biological gunk that grows on these particles.
In the sea, this is particularly problematic, because microplastics accumulate pathogens as they float through the water.
What happens when that all gets in your lungs after a day at the beach is, at this point, anyone’s guess.

Links :

Sunday, May 24, 2020

Expedition to the end of the world

Haslund Film presents a real adventure film - but in a very modern sense.
A grand, adventurous journey to the last uncharted areas of the globe.
Yet no matter how far we go, and how hard we try to find the answer, the ultimate meeting is with ourselves and our own transience.
A real adventure film – for the 21st century. 
On a three-mast schooner aboard with artists, scientists and ambitions worthy of Noah or Columbus, we set off towards the end of the world: in this case, the rapidly melting ice massifs in North-East Greenland.
An epic journey where the brave sailors get acquainted with imaginary tent pitches, polar bear nightmares and entirely new species.
But in their encounter with the new, unknown parts of our world, the crew - which ranges from the artists Tal R and Daniel Richter to the geologist Minik Rosing - addresses a number of questions of a fundamental, existential nature.
Curiosity, great pathos and a liberating splash of humour come together in a film that is superbly orchestrated by the cinematic talent Daniel Dencik, who in one iconic image after another seduces us both far beyond and deep into the historical footnote that is humanity.
A film that is both conceived and brought into life on a large scale, just like an old childhood dream lived out by grown artists and scientists realised in adult company.

Saturday, May 23, 2020

Have you ever wondered how an Imray chart comes into being? Look no further than our video explaining the process!

Data from Hydrographic Offices is clipped to the desired extents and some formatting - the Imray style - is automatically applied.
The desired projection is also input so that further editing is applied for the correct scale.
The data is tidied up.
This involves editing features to ensure that the data is displaying correctly, is easy to understand and looks good with no clashes of detail.
Graphic styles may be changed to suit the scale of the chart and any unnecessary information is removed.
Some other changes are made at this stage to make it an Imray chart including adding additional facilities, anchorages and small-craft information, drawing on data from Imray cruising guides and expert contacts built up over many years.
15m and 30m depth contours are removed as well as various other features that are of little or no interest to yachtsmen.
Labels and soundings are carefully selected to suit the scale of the chart.
These are positioned to be clear and easy to read.
The scale of the chart and its purpose play a big part in this.
It is important to find the right balance between detail and clarity.
Marginalia and other "non data" elements of the chart are added after all other chart detail.
This is to help avoid obscuring the more important detail.
Adjoining chart outlines from the 2900 chart pack are added at this stage to help with use of the product.
The new edition of 2900 also includes chart outlines for the popular Antares large scale anchorage charts for convenient use for more adventurous users.
Useful contact details are compiled and added from pilot guides as well as chart notes.
The final product is compiled and is then ready to be sent for print, after rigorous checking!
Thanks to Jon from the charts team for providing the images and explanation of the processes he goes through.

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Aequatio, the sound of change


Equation comes from the Latin form Aequatio.
Similarly to an expression with multiple and independent variables, Aequatio explores the mathematics of the ocean and the exponential function of surfing as a form of art.
The man from Portugal has delivered another dose of longboard poetry with filmmaker Daniel Espírito Santo.
Set to the warm and angelic tones of K. Wolf and his guitar, Aequatio is five minutes of stylish surfing set at a dream-like pace and captured in ways that only compliment the individualistic nature of Eurico Romaguera.